A young, black hockey star (Stephan James), bound for the NHL, is surronded by racial tension in a divided Nova Scotian community.
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Margret is a police officer in a small town where nothing ever happens. Her life is perfectly monotonous, and she is happy attending to the trivial problems of the sparse population. But her happiness is shattered when she receives a call from Social Services. Nick, her fifteenyear old stepbrother, has just been expelled from boarding school. Being the only direct relative on record, she will have to take care of him.
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It’s the day after Halloween. Jacopo and Duke wake up in the apartment of two girls: Lenka, the Czech Republic, and Elizabeth, English, both in Italy thanks to the Erasmus project. The dawn of that new day brings with it a big problem: Elizabeth died. But there’s more, because none of the three remember what happened. Neither James nor Duke nor Lenka, remember what happened that night.
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Mary’s life has been defined by a string of temp jobs and a half-hearted attempt to become a writer, but that changes when she comes home to find her boyfriend dead in front of the TV set. During a string of misadventures as she tries to dispose of his ashes – accidentally becoming the bassist in a rock band, bonding with the dog he left behind, awkward encounters with numerous ex-lovers – Mary discovers that there was much more to her couch potato boyfriend than she ever thought imaginable.
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Follows the journey of sisters who are believed to possess the supernatural ability to connect with ghosts. They cross paths with a visionary French producer while performing in Paris.
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Friends embark on a cross country criminal spree that ends horribly. Reckless actions take them from being ruthless criminals to helpless victims, and survival comes in the form of a washed up Deputy Sheriff.
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Anna is stuck: she’s approaching 30, living like a hermit in her mum’s garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors – thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn’t show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum – she needs to move out of the shed, get a haircut that doesn’t put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to “back the f-off”. However, when her school friend comes to visit, Anna’s self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
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Anna is stuck: she’s approaching 30, living like a hermit in her mum’s garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors – thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn’t show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum – she needs to move out of the shed, get a haircut that doesn’t put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to “back the f-off”. However, when her school friend comes to visit, Anna’s self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
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